Golden Age of Radio

< LAST MINUTE REHEARSAL FOR CAVALCADE OF AMERICA FINDS MEMBERS OF CAST DILIGENTLY CHECKING SCRIPTS FOR LAST MINUTE CHANGES> <DIRECTOR HOMER FICKET (SEATED UNDER FLAG) GIVES THE ENTIRE CAST A QUICK RUN THROUGH THE SCRIPTS BEFORE AIR TIME.> <Sound effects are an integral part of the show, requiring the most experienced men.> <Edward Jerone , versatile actor, plays Abe Lincoln one week, and a bit part the next.> CAVALCADE OF AMERICA TUNE IN WEDS. 8 P.M. E.W.T. (NBC) When the Cavalcade series was first presented eight years ago, few people in radio thought it would succeed. Likely to be tagged as “long-haired” and an “educational program” those in the know felt that a show devoted to historical drama would find a very small listening audience. But Cavalcade has proved that Americans are interested in their country and its great names. The producers of the show were far-sighted enough to see that if the program was to have any real value,

The Milwaukee Journal – Jun 10, 1938 Erno Rapee Believes Radio Creates Music Lovers THE United States, claims Erno Rapee, director of the Radio City Music Hall symphony orchestra, is fast becoming a nation of highly discriminating music lovers, a country in many ways more hospitable to even the most revolutionary in modern music than any to be found in present day Europe. A few years ago in America, Rapee says, to the average man Tschaikowsky was merely an unpronounceable Russian name; Debussy, a radical French composer whom none but a few of the musically elect were supposed to be able to fathom, and Georges Enesco, modern Rumanian master, an artist in composition as well as in concert completely unknown. But now the tide has turned. The voice of a people, long frowned on by “friends of music” on the cultured continent, the accredited home of great art, is being culticated, Rapee believes. And more and more America calls for the masterpieces, both contemporary and cla