Golden Age of Radio

The Milwaukee Journal – Feb 16, 1941 A Howling Success That’s Dolores Gillen, Who Fills Crying Need THERE are many kinds of crying. For example, there are those moans and laments which emanate from frustrated horse and poker player. And there are those from girls whose daddy-kins forget to bring new mink coats and wives whose husbands come home late. All these are unprofitable, except possibly the girl-daddykins combination. But for real, shining success in the field the award goes to Dolores Gillen, a kewpielike creature without the usual rotund frontal construction, who for a handsome sum, cries each day in the year. Miss Gillen recently told the New York World Telegram how she has filled a crying need in the radio world by having on tap everything from the low, chuckling, happy murmur of a baby to a raucous, heart howl. “The directors seem to like most the fact I can get sex into a baby’s cry,” she said triumphantly. “ Not real sex,” she added hastily. “I

The Milwaukee Journal – Jun 10, 1938 Erno Rapee Believes Radio Creates Music Lovers THE United States, claims Erno Rapee, director of the Radio City Music Hall symphony orchestra, is fast becoming a nation of highly discriminating music lovers, a country in many ways more hospitable to even the most revolutionary in modern music than any to be found in present day Europe. A few years ago in America, Rapee says, to the average man Tschaikowsky was merely an unpronounceable Russian name; Debussy, a radical French composer whom none but a few of the musically elect were supposed to be able to fathom, and Georges Enesco, modern Rumanian master, an artist in composition as well as in concert completely unknown. But now the tide has turned. The voice of a people, long frowned on by “friends of music” on the cultured continent, the accredited home of great art, is being culticated, Rapee believes. And more and more America calls for the masterpieces, both contemporary and cla