Golden Age of Radio

St. Petersburg Times – Jul 15, 1945 ‘ Plantation Party ’ Opened Doors to Radio Success A few year ago, a series called “ PlantationParty ” ended a four-year run over NBC , out of Chicago. Throughout its run, the show enjoyed a good rating . . . and subsequent developments have proved that there was a good reason for it. Two of the latest proofs are offered by Curt Massey and Marlin Hurt, both of whom are starring in new shows of their own. Curt Massey, with Carol Bruce and Harry Sosnik’s orchestra, has the spotlight on the new “Sunday on the N-K Ranch” series. Massey, following a few guest appearances on the Andrews Sisters show, was so widely hailed as the next male singing, sensation, that he was signed as headliner on the replacement series while famous Andrews threesome entertains overseas. On “ Plantation Party ,” Curt sang, played trumpet and violin, with his sister, Louise Massey, and her Westerners. Hurt, multiple-voiced comic who is Beulah , the colored maid,

The Milwaukee Journal – Aug 3, 1941 “You’re hard man, McGee!” That line made famous the character of Gildersleeve , Fibber McGee ’s “little chum” next door, and now has given Gildersleeve ’s creator, Harold Peary (above), his own show on NBC, opening Aug. 24 McGee’s ‘Little Chum’ Leaves Wistful Vista THROCKMORTON P. GILDERsleeve, Fibber McGee and Molly ’s chum, who is known as Harold Peary to his intimates will be starred on his own program. “ The Great Gildersleeve ,” beginning Sunday, Aug 31, over NBC. In making this move, Perry, creator at the Gildersleeve character on the “ Fibber McGee and Molly ” show, will devote full time to his own program Gildersleeve will be replaced on the McGee’s program by Gale Gordon . It is believed that his marks the first time a character conceived on a radio program has been transplanted as the star of his own show. The tremendous fan following built up by the character of Gildersleeve is responsible for this new program.

The Milwaukee Journal – Jun 10, 1938 Erno Rapee Believes Radio Creates Music Lovers THE United States, claims Erno Rapee, director of the Radio City Music Hall symphony orchestra, is fast becoming a nation of highly discriminating music lovers, a country in many ways more hospitable to even the most revolutionary in modern music than any to be found in present day Europe. A few years ago in America, Rapee says, to the average man Tschaikowsky was merely an unpronounceable Russian name; Debussy, a radical French composer whom none but a few of the musically elect were supposed to be able to fathom, and Georges Enesco, modern Rumanian master, an artist in composition as well as in concert completely unknown. But now the tide has turned. The voice of a people, long frowned on by “friends of music” on the cultured continent, the accredited home of great art, is being culticated, Rapee believes. And more and more America calls for the masterpieces, both contemporary and cla

Monday Night COMES TO LIFE Fibber McGee takes a simple shortcut to change his Monday broadcasting period to 9 o’clock Eastern, 8 o’clock Central Standard Time, NBC . Thus, listeners get a more convenient hour, and he gets what he usually gets—the works. “I’ll tell you a show everybody’s listening to in Hollywood—it’s Fibber McGee and Molly .” Reporters caught this from Jack Benny , star of NBC ’s Sunday night Jell-O program, the other day in Chicago enroute from Hollywood to New York. One hundred weeks ago, sponsored by Johnson’s Wax, this new radio comedy team came strolling down the airlanes. Amazingly soon they became required hearing to millions of Monday night radio listeners. Without benefit of intensive Hollywood fanfare or Broadway ballyhoo, Fibber McGee and Molly have become firmly—and fondly—intrenched in America’s receptive heart. “We’ll have to tell you later” . . . this gay gaballero is, by his own admission, pretty hot stuff with smart quips and witty