Golden Age of Radio

Sullivan is Title Role Title role this semester is handled by Barry Sullivan , who took the Dick Powell characterization. The he lacked the suavity and éclat of Powell, Sullivan rend a tough line convincingly. He was sufficiently cocky (“ I had to work every angle and, believe me, I know them all”) to make the listener wish he’d get this head bashed in, and he did, in beat Rogue tradition, the inevitable lacing was followed by Rogue’s usual fanciful trip to Cloud where alter ego Euger, cackling thru the filter mike, exchanged badinage with the chastened detective. It’s an effective gimmick and a good trademark. Excellent pacing, fluid transitions and neat use of background music by Max Stelner and him small ensemble garnished the production. Directora Charles Vanda and Jack Lyman provided the touch most essential to whodunnits. They kept the action flowing rapidly. The lesser characterization were strictly out of the ditto machine, but were no worse than those in the usua

The Milwaukee Journal – Jan 28, 1945 Unveiling  DUFFY’S TAVERN “ DUFFY’S TAVERN , where the elite meet to eat, Archie the manager speaking . . .” That’s Ed Gardner, Archie himself, who has got himself and his tavern into the movies after winning nation-wide laughter as a radio comedian (7:30 p. m. Fridays, WTMJ) Gardner is a former WPA worker who mangled English so intelligently that the radio industry figured he really was worth $5,000 a week. Hollywood raised the ante so the tavern, with its characters and free lunch, is now before the cameras at Paramount. Everybody from the radio show is there except Duffy himself, the disembodied voice who calls Archie on the phone. And it includes Clifton Finnegan, the well known moron; Eddie, the waiter, and the enchanting Miss Duffy herself. To give the hangout a little style, Paramount has chipped in with Bing Crosby and the four Crosby kids, Dorothy Lamour , Veronica Lake, Eddie Bracken , Victor Moore, Barry Sul