Golden Age of Radio

Sunday, March 21, 1943 THE MILWAUKEE JOURNAL – SCREEN and RADIO              11 The Great Gildersleeve’s Big Break If Stage Hadn’t Been Too Wide, Hal Peary Mighty Not Have Jumped to Stardom By J. D. Spiro *Picture on page 1 THE HON. Throckmorton P.Gildersleeve , water commissioner of the widely known but mythical town of Summerfield, is today a considerable sort of person in the life of this nation. When at the appointed hour each Sunday (5:30 p. m. our time) he steps to the microphone in NBC’s Hollywood studios some 28,000,000 individuals over the country cock their ears toward their radio sets and eagerly wait to learn what the Great Gildersleeve is about to do next. Yet it was only yesterday, as time goes, that the  Great Gildersleeve   was but an unsung stooge for Fibber McGee and Molly . In truth, until one night in radio New Year’s week of 1939, the  Great Gildersleeve   was just a lot of other fellows of diverse nationalities, including the Chi

The Milwaukee Journal – Jun 10, 1938 Erno Rapee Believes Radio Creates Music Lovers THE United States, claims Erno Rapee, director of the Radio City Music Hall symphony orchestra, is fast becoming a nation of highly discriminating music lovers, a country in many ways more hospitable to even the most revolutionary in modern music than any to be found in present day Europe. A few years ago in America, Rapee says, to the average man Tschaikowsky was merely an unpronounceable Russian name; Debussy, a radical French composer whom none but a few of the musically elect were supposed to be able to fathom, and Georges Enesco, modern Rumanian master, an artist in composition as well as in concert completely unknown. But now the tide has turned. The voice of a people, long frowned on by “friends of music” on the cultured continent, the accredited home of great art, is being culticated, Rapee believes. And more and more America calls for the masterpieces, both contemporary and cla